God Of War Collection Xbox One
"I don't intendance almost innovation - I care about fun." And then said God of War lead designer David Jaffe in a typically brash interview in the run upward to the game's release in March 2005.
But, to address the dangling implication, Sony's PlayStation ii exclusive was the best kind of blatant rip-off. Information technology might well have been an endeavor to do Onimusha with Greek mythology, but the way it wove ICO'southward enigmatic ambience alongside multi-layered puzzles ensured that its appeal went much deeper than hand-mangling combo mastery.
Perhaps it was Sony Santa Monica's cocksure belief that it could "execute this better than anybody" that collection it from a stylishly knockabout homage to Ray Harryhausen movies, into condign i of the virtually complete action-take chances games of all-time. But whatever the explanation, the results were astonishing.
All the same, evidently not everyone agrees. The other night while I was playing through the God of War Collection, my girlfriend spluttered incredulously: "Why do people get and so bloody worked upwards about God of War anyway? It looks really irritating." Coming from someone who has slogged through hundreds of hours of Monster Hunter Freedom Unite, I constitute this simultaneously irritating and hilarious, but anyway.
"Because of everything!" was roughly my response. Playing through both games all over once again had merely underlined why the series got me so excited in the first place - and few games have ever felt so enjoyable second fourth dimension around.
It was all almost the execution. Every single element of the game was brilliantly realised from front to back, and hit the sugariness spot every time. Whichever part of the game you looked at, whether the combat system, the puzzles, the boss encounters, the narrative, the applied science behind the game, or even the sound, it was absolutely outstanding.
And Jaffe was correct to care about the fun higher up anything else. Fundamentally, God of State of war is accessible in everything information technology does. Playing it through over again, it notwithstanding feels irresistible; information technology notwithstanding compels you to stop it. Something that's oft overlooked in games is pacing, but Sony Santa Monica plainly understands that ebb and flow and variety is as important as anything else.
Its many contrasts all work within the full general framework and transition seamlessly - to the point where the game starts to feel similar an epic journey rather than a serial of level and tasks. Information technology never lingers on 1 element for very long; as shortly every bit y'all've fought a few battles you're off exploring, leaping athletically around the environs or figuring out the adjacent puzzle.
The pay-off is the inevitable epic boss fights, of form, but even these are handled with a degree of finesse that's hard to resist. Not and then much screen-filling every bit expanse-filling, these multi-stage battles see Sony Santa Monica throwing everything into the pot, tasking players with using all the things they've learned in combat, lateral thought and platform dexterity to kill a vast enemy in stunning way.
And like the all-time videogames, something new and exciting threatens to appear at whatsoever moment. You lot don't just do the same former matter in slightly different-looking environments; the game evolves quite dramatically, offer you new weapons and abilities every bit well as a large procession of radically contrasting enemies.
But none of this would hateful anything if the game didn't feel correct, and it's something that strikes you from the word become. Information technology's tempting to dismiss the combat as a typical button-masher, simply that would exist to underestimate the game'southward gainsay depth entirely.
While the games do initially allow you to stab triangle or foursquare to classy your blades in a swashbuckling blizzard of fury, the longer they final the more enemies appear that take advantage of such a ham-fisted and lazy approach. Switching between blocking, evading, comboing, magic attacks, take hold of attacks and specific weapons gives you lot a pleasing amount of flexibility at all times - and without overwhelming players with needlessly complex commands.
Employing an automatic photographic camera organisation was also a smart decision for numerous reasons - non least because it immune the developers to enhance the cinematic impact of the game in ways that you lose if you're busy with the photographic camera. Fifty-fifty better, by ignoring direct camera control the game frees the right counterpart stick for rolling out of the fashion of enemy attacks. It'due south one of many potentially divisive decisions that y'all understand, and rarely if ever resent.
Source: https://www.eurogamer.net/god-of-war-collection-review
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